LEVELATOR AUDACITY PLUGIN PRO

Secret weapon is a Tascam DR-10X for the road with a Shure pe50sp super pro dynamic mic. Headphones: Audio Technica (not sure of model, just got them from a friend) Microphone: Shure SM7B, Cloudlifter, Audio Interface: Scarlett Solo, iMac, Squadcast. Microphone: Shure SM7B and a Fethead or Rode Broadcaster Your Secret Weapon for Audio Production: Vocal Rider, C6, and 元 plugins from Waves. Headphones and/or Speakers: Sony MDR-7506 Pro & Yamaha NS10 monitors with a Hafler TA1600 ampįinal Episode File Specs: 44.1kHz 128kbps MP3 Your Secret Weapon for Audio Production: lots of editing and attention to making the final product sound exactly how we want it to.Īudio Software: Logic Pro X + Waves plugins Headphones and/or Speakers: Behringer Studio Phonesįinal Episode File Specs: MP3 128 kbps, 44.1 Secret weapon: iZotope de-noise.Īudio Interface: Behringer 1604 Mixer and Behringer MDX2600 Limiter Gate. Microphone: MKH416 or CAD E100s, Audio Interface: Audient iD14, AKG 702s, VoIP Recording Service: Cleanfeed, Final Episode File Specs: 24/48 WAV to 256 Mp3.

Secret Weapon: I’ve been experimenting with CLA Mixdown in the Master bus before my multiband comp and limiter Headphones & Monitors: Sennheiser HD280Pro & PreSonus Eris 4.5įinal Specs: 128kbps stereo mp3 48KHz sample rate Mic: Microphone: SM7B -> FETHead (Preamp) Your Secret Weapon for Audio Production: varies. Headphones and/or Speakers: Genelec 1040/ Sony 7506 Secret weapon: Not sharing the above information with anyone! I’m not proud of it, not happy with it, and am exploring Squadcast. $300 Bose computer speakers, and a $50 set of junkers for comparison. Headphones: Ultrasone HFI-580 are my primary cans, but I have a few others hanging about. Software: Goldwave as a primary, with a couple of items for cleanup outside of that… Levelator, a BBE Sonic Maximizer plugin, Audacity as needed for specialty mixdown and a few other items. X-Air is set for recording a backup.īonus item – field audio interface: Tascam DR-40. I then feed that into a Fostex MR-8mkII for primary recording. My remote teams usually use a Blue Yeti for usage over Skype.Īudio interface: Behringer XR-12 X-Air for all processing and mixdown. Shure Beta 57A for field recording, and additional 57’s for other field or guests. Microphone: Electrovoice RE27, with an RE20 for single guest. 🙂 Please note that I am a broadcaster, and therefore have a more “premium setup”.

Not really a speed round… more of 20 questions! I spy with my little eye…. Your Secret Weapon for Audio Production:īackup Recorder (Zoom H6) with an ATR2100.VoIP Recording Service (like Squadcast, Zencastr, Ringr, etc.):.I’d love if you would do a “speed round” telling everyone about your audio production and workflow! Here is my post and many of the responses: (if you’d like to post in that Facebook thread, you can find it here. Recently I initiated an open “speed round” in the Podcast Movement Facebook group.

Levelator audacity plugin